The reflection of time in the artistic discourse of Otar Chkheidze

Authors

  • Eka Pkhaladze Sokhumi State University

DOI:

https://doi.org/10.34767/HG.2018.08.03

Keywords:

paradigm, postmodernism, soviet writers, images, fate of the authors, ideology

Abstract

The article refers to Georgian Literature of the 20th and it analyzes the difficulties in the idelogical implication of the world literary processes. Author discusses the novels of different Georgian writers and tries to outline the role of writing in the world culture. Author tells about the influence of Soviet Union in Georgian literature and how it affected the mission of Georgian writers in their novels. Author tries to analyze the confronting the most complicated political regimes with writing and science. Author discussess the role of Cummunism and its outputs and inputs in writing and literature. The objective of the article is to show the special mission and aims of Georgian writers.

References

Ratiani, I. Modern Georgian literary process, “Armuri - literary Arena, or library from Georgia”, 2012, Vol. 07/03,

Turava, M. Broken Maze, Tbilisi, 2014.

Imedashvili, K. Myth and contemporary Georgian prose. “Mnatobi”, 1980, Vol. 2.

Gaprindashvili, N. Georgian Literary Life in the Epoch of Social Realism from the Prism of Comparative Literature, Bilingual Scientific E-Journal “Spekali”; Vol. 8.

Chkeidze, O. Children of August, Tbilisi, 2008.

Chkheidze, O. What occurred to Egho, Tbilisi, 2016.

Jalilashvili M. The last word “Kvernak”, Tbilisi, 2010.

Kupreishvili, N. Word degustation, Tbilisi, 2013.

Tsipuria B., Theory of Literature; Tbilisi, 2016.

Bakradze A., Taming of writing, Tbilisi, 1990.

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Published

2018-11-23

Issue

Section

Literaturoznawstwo

How to Cite

The reflection of time in the artistic discourse of Otar Chkheidze. (2018). Heteroglossia – Cultural and Philological Studies, 8, 19-24. https://doi.org/10.34767/HG.2018.08.03